Friday, May 26, 2017

The WMT - Lovecraft and Lynch, Eldritch Horror

Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic.  The tension that Lovecraft sets up between his own fictions and the universe or nature as we know it is reproduced within his fictions in the common theme of the unreliable narrator, unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality.  Despite Lovecraft's  invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural, but following Joshi, only super-normal.  One can see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree.

Vincent van Gerven Oei, Continent

Eldritch Horror is a board game where you play a Lovecraftian hero (occult researcher, antiquarian, private detective, esoteric blogger, etc) who, with the rest of their team struggles to close gates, solve mysteries of the Ancient Ones and not go insane or die.  Its an excellent game and is genuinely scary - light some candles, acquire 1920s costumes, put Radio Dismuke or Cryochamber on and you're there - its does justice to the writer and his genre. The other night we were brutally defeated for the second time by Yog Sothoth and for our just desserts we watched Episode 1 of the new Twin Peaks season both of which contributed to a night of highly disturbed sleep.



There are all kinds of influences on Lynch - Kubrick, Hitchcock, Brecht, etc - but to my mind its the Lovecraftian that has been magnified more than the others in this season.  When Secret Sun talks about a metaphysics of evil, sure. Its the evil of beings who live above a convenience store from the perspective of the foodstuff on its shelves. To be fair if you have never studied you are not going to get Lynch, a man whose esoteric knowledge is clearly encyclopedic - and even if you have he is going to fire more than a few curve balls at you. For instance without a working knowledge of the Hermetic Qabalah, whatever its true value, you are going to miss the Vision of the Machinery of the Universe, in the purple oceanic/galactic dreamworld of retrocausal time in Yesod and the portal to ''Earth'' through actual machinery - like car cigarette lighters and plug sockets.  The light beings transfer between worlds through gas and electricity.  The brain/neurone tree is featured in the sections of the Metabolism of Time that deal with the Jay.  The tesselated floor of the waiting room, with the curtains being blown back to reveal the white horse are clear depictions of the environment of astral travel.  These are real places.  They are part of the physiology of the universe made necessary by the Metabolism of Time. You have to perform astral travel to get to them but if you are one of those so-called magicians who doesn't include this work in their practice then SHAME! you are missing the best bits.


The Sycamore Grove from the second season is a Lovecraftian gate into the Supernormal.  Cooper physically leaves through it and is physically replaced by a Doppleganger.  Although the beings of the astral are clothed in flesh and colour underneath they are composed of physical light.  This is where Supernormality can really gain ground, you don't need to lose sight of the so-called physical in your quest for spirituality (this is a common damaging misconception in esoteric circles), the spiritual is not another different dimension, its an extension of this one, or rather ours is an extension of that - an inclusive physics, a pan-psychic physics would see this.  The problem with the words physical and material are that they imply this fairly boring scientific materialist worldview espoused by Dawkins et al but these guys have no idea what is really going on - in choosing an authority on the nature of reality I would go with Lynch. When Professor Hawking begged us all to shut the fuck up for a second so we are not devoured by a lurking space horror he is beginning to understand the potential for a supernormal metaphysics of evil.  Do we really think alien, possibly demonic, beings fly here like so much spam in a can?  They project like we do and are just way better at it.  If you want to get really far out, their ''ships'' don't ''fly'' what the ''ships'' actually do is move us or places to them.  Those ''ships'' are their equivalent of chaospheres, or cells of consciousness, or Iamblichean celestial spheres or whatever you want to call this asset all esoteric traditions share and which is actually a fundamental part of our own extended physiology and of which most remain unaware trapped as they are thinking themselves 3d objects in a 3d world.  I know this can be difficult to understand but you are in your own ship right this second.  Its been 25 years since Twin Peaks and the 80th anniversary of our master of darkness H.P. Lovecraft's death - now is as good a time as any to redouble your esoteric efforts.


“What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with a wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break down the barriers. I am not joking. Within twenty-four hours that machine near the table will generate waves acting on unrecognised sense-organs that exist in us as atrophied or rudimentary vestiges. Those waves will open up to us many vistas unknown to man, and several unknown to anything we consider organic life. We shall see that at which dogs howl in the dark, and that at which cats prick up their ears after midnight. We shall see these things, and other things which no breathing creature has yet seen. We shall overleap time, space, and dimensions, and without bodily motion peer to the bottom of creation.

From Beyond, H.P. Lovecraft


Thursday, May 25, 2017

The WMT - Chaos Protocols and Financial Sorcery


Nam Zid Tara walked by Enlil who said to him:  ''Where have you come from?''
''From Enlil's Temple.  My turn of duty is finished.  I serve at the place of the Gudu priests, with their sheep. I am on my way home now.  Don't stop me; I am in a hurry. Who are you who asks me questions?''
''I am Enlil'' - he had changed his appearance to that of a raven and was croaking.
''You are not a raven you are really Enlil!''
''How did you recognise that I am Enlil who decrees the destinies?''
'"When your uncle En Me Cara was a captive, after taking for himself the rank of Enlil, said 'Now I shall know the fates, like a lord.'''
''You may acquire precious stones, you may acquire cattle or sheep, but the days of a human being are always numbered so where does your wealth lead?  Now, I am indeed Enlil who decrees the fates, what is your name?''
''My name is Nam Zid Tara (well blessed).''
''Your fate shall be assigned according to your name: Leave the house of your masters and your heirs shall regularly come and go in my temple.'' declared Enlil.
The Raven of Enlil

One of the best moments of last year's Occulture was the phone hangout of Gordon White and Jason Miller - both prominent esoteric authors and both with books out on Financial Magic.  I wanted to comment at the time but didn't feel I could because I didn't own a copy of Chaos Protocols and had worked with Financial Sorcery.  I enjoy head to head debates and arguments rather than the more friendly podcasts that are put out by Runesoup and its nice to see authors challenged and stretched by each other while remaining in civil discourse as opposed to handling sycophancy, lunacy, politics, ''chat'' and newbies on social or otherwise media - i.e.  peer battle as opposed to teachers/students authors/fans dynamic.

On Financial Sorcery, Jason Miller certainly knows his audience, and the book provides practical (non-magickal) advice on managing finances that the readers may not otherwise read unless it was presented in a sorcery book.  Miller often rails against the money shy pagan/occultist demographic fully aware that a lot of them struggle to realise their goals and make their life dreams come true because of their own aversion to dealing with their often gruesome financial reality - whether it be ignoring their debt or ''hating capitalism''.  Although my financial situation is solid and I don't need the majority of the muggly advice, the magickal aspects of the book especially the selection of Jupiterian sigils are absolute dynamite.  From my perspective the rest of the book is wrapping paper and that is not to disparage the writing but just to raise the spirit work that Miller has done to its proper level.  I would recommend buying the book for nothing more than those sigils as long as you are planning to use them.

I managed to avoid Amazon for a long time (they didn't deliver in this part of the world) but it is certainly taking its toll on my wallet now and without it I wouldn't be able to comment on the second book - Chaos Protocols.  This is more my kind of book - although its more practical than I expected White is not beyond waxing theoretic (which I like) and contains inspirational rhetoric that hits its target. Although I would argue against the ''probabilistic universe'' model these days, it was certainly my go to understanding of reality for the majority of time working with practical magic and I can understand why it is the dominant way of seeing things.  I enjoyed seeing some of White's esoteric toolkit laid out in the way it was and comparing and contrasting with my own and I think some fascinating points are raised at the end in the extremely brief Annunaki section that we will not see discussed to the depth that they would enjoy, at least in public.  One of the central arguments between Miller and White was Jupiter vs Trickster Gods as to who is the superior ally in the current economic climate and at the time I wrote a somewhat spirited defence of Jupiter.  I didn't know about this ''Annunaki'' section in Chaos Protocols and, truth be told, as part of the Gentlemen for Jupiter I have never worked with Jupiter the deity but only ''the current'' and always under the auspices of Enlil, the Lord of the Annunaki. Although White seemingly has a different take on what is meant by the Annunaki (more of the ancient aliens conspiratorial version or rather that this is something can be tapped into chaos magic style) and seems to be doing different magic to me there is a lot of room for exploration.  If you haven't stepped out of the Western ''comfort zone'' of Greek, Roman, Celtic and Norse and dabbled in Ancient Mesopotamian pantheons you may find such endeavours rewarding on all sorts of levels. Just sayin'... I also find this work to beautifully dovetail with my work in Sefer Yetzirah.  The more interesting argument in this kind of discussion might be Enlil vs Enki as opposed to Jupiter vs Mercury.



Which one to buy?  If you're totally broke then neither - buy a sandwich.  If you have enough money for one and you need it to be an investment that will save your ass then you should buy Financial Sorcery.  It contains the right mixture of down-to-earth advice and magic that would get you on your feet again - but make sure you find a way of using the sigils.   If you have wiggle room buy them both to compare and contrast as anyone will always get more out of that than following only one source of advice.

My own approach to financial work was different to the majority of the Gentlemen for Jupiter.  While I used a Miller sigil for one project I broke with the Rufus Opus style mash-up ritual that was popular at the time and focussed entirely on Liber Astarte vel Berylli* to forge an intimate relationship with Enlil whom I also evoked often in the best Sumerian I can manage.  I accompanied this with around thirty pathwalkings (physical and astral) based on the letter Gimel - hard and soft - and theatrical ritual (staging plays) with a focus on ''Jupiterian'' symbolism to connect more completely with the current.  This relationship led to my ongoing dialogue with Raziel which is in the most part about embracing destiny as opposed to maintaining a belief in the ''open'' probabilistic universe**. In comparing myself with other practitioners I can say my approach was not unnecessarily complicated, supported by my understanding of Sefer Yetzirah, exclusive, rigorous and consistent and it made a great deal of difference in lasting results.
Enlil's commands are by far the loftiest, his words are holy, his utterances are immutable! The fate he decides is everlasting, his glance makes the mountains anxious, his... reaches into the interior of mountains.  All the Gods of the Earth bow down to Father Enlil, who sits comfortable upon his dais, the lofty engur, to Nunamnir, whose lordship and princeship are most perfect.  The Annunaki enter before him and obey his instructions perfectly.

Hymn to Enlil, Sumerian myth, Clay Tablet, 3000BC

*Say what you like about this new crop of authors but they're not Aleister Crowley.
**This is more complicated than this sentence can do justice and has been discussed in great length in the posts labelled time travel.  The important correctives are that your decisions, whatever they may be, largely aggregate into the same end results which gives you ''probabilistic'' type freedom only at certain moments and only on to other fixed linear narratives and that the rest of the ''probabilistic'' universe is a dead void.  A metro system is probably the best way of understanding it from our 3d point of view.

Thursday, May 18, 2017

Time Travel - Alice in the Aftermath


  • Synchronicities 
  • Branching Moment
  • Desynchronous Time-holes

As you recede from the robust branching moment you enter into a period of desynchronicity where the frequency of synchronicities decrease and/or their nature changes.  In my earlier thinking I referred to the ''surprise'' phenomena of this period as time-holes (sudden blasts from the past) and a feature of Venutian work as opposed to syncs which I saw primarily as a feature of Mercurial work.

After my Alice synchronicity and subsequent branching moment (cinematic debut) a number of individuals got back in touch with me - an ex-girlfriend, a ex-director and my primary school teacher in one quick wave over the course of a few hours.  These events were not connected to the branching moment - coincidental meetings at pubs in local towns, trips that had been planned ages ago that were ending up in Prague.    There is some commonality between the physiognomy of the three of them - they all have heavily lidded/hooded eyes.



If the physiognomy of ''Alice'' (adrenaline/testosterone) gave some indication as to ''where'' the branching moment was happening in the Metabolism of Time (remembering/altered past) and its nature (therefore clues to advantageous action in that moment), does the physiognomy/symbolism of the time-holes post branching moment give any indication of where the line leads to next i.e. if I had chosen a different action at the branching moment would I have been confronted by a different set of ''ghosts''?

In a very esoteric reading of the Partzufim there are said to be 11 faces with 11 backsides (corresponding to the 22 letters astrological forces) - are the faces of these ghosts the back-side of the Alice face - which by an extention of the previous logic would be the physiognomy of ''forgetting'' (which does fit the nature in this case)?  In which case I would imagine the utility is decreased as they are simply the reverse side of the event I am moving away from.  However, since the future causes the past as much as the past causing the future and the two things are entangled, from a 4D perspective the backsides could be as useful but I would have to see them/everything in a different/non-linear way.

Some musings.

Monday, May 15, 2017

The Green Lion

This Oil of the Sun, enclosed in a retort hermetically sealed, you must place for elevation that it may be exalted and doubled in its degree. Then put the vessel, still closely shut, in a cool place. Thus it will not be dissolved, but coagulated. Place it again for elevation and coagulation, and repeat this three times. Thus will be produced the Tincture of the Sun, perfect in its degree. Keep this in its own place.

The Treasure of Treasures, Paracelsus the Great
The Green Lion devouring the Sun is an alchemical symbol representing what is probably the effect of sulphuric acid acquired from green iron sulphate salts dissolving gold, yielding a gold solution that can be used for plating or perhaps ingesting.  Sol is also a symbol for consciousness (the Ruach) and from the point of view of spiritual or psychological alchemy the Green Lion could be said to be the phase in which this part of the being is ''dissolved'' to allow access to the higher self (the Neschamah) - i.e. super cellular consciousness.  From another perspective Vincent Bridges discusses the importance of meteoric glass such as the green stone moldavite in the work of Renaissance alchemists.  He suggests that Bohemia is littered and infused with this prima materia which greatly contributes to the area's mystical appeal.  Although the chemical composition of moldavite is mainly aluminium oxide and silicon oxide there are other substances such as beryllium and iridium bound up in there which could be ingested were the moldavite to be dissolved, or ground to a fine powder.


As many of my good friends know I have been playing around curing myself and others with alchemical quackery for many years.  I regularly ingest colloidal silver and this combined with Vit D. supplements and allicin pills provides an extremely effective defence against infection - i.e. garlic, silver and (the biological form of) sunlight slay the undead.  I have always been curious about the effects of ingesting gold but have yet to try it. However, I have been using a moldavite rejuvenation (anti-time) amulet which I enchanted myself in the Tower through the use of the Time Phone - and this does seem to be a potent crystal to work with.


There is no doubt that humans are generally deficient in minerals and very few seem to address this as one of the causes of their medical problems.  My own life has been improved by simply taking magnesium let alone the anti-demon combo outlined above.  The soil has been over farmed and fertilizers do not replace all the trace minerals that used to reside there, food therefore no longer contains sufficient quantities of what you need.  I believe that for maximum efficacy the human being may need substances we wouldn't normally think we do - i.e. gold.  Gold is being used in all kinds of innovative ways at the moment in electronics, catalysts and medicine - who is to say our nervous, immune and a variety of different enzyme systems couldn't benefit?  One of the possible reasons behind the disappearing gold in the world may be that someone who knows better is eating it all...



As I explained the other day I have been working to transform/upgrade my temple-library to Tudorian splendour for better time travel resonance.  I went to purchase a writing desk and as I entered the antique bazaar the first thing to greet me was this Green Lion.  I purchased him, without haggling, have named him Paracelsus and am taking this materialized symbol (so fresh off the astral he was dripping Azoth) as a cue to do some things a) advance my knowledge of various forms of alchemy b) transfer this knowledge to the work I have been doing on (super) cellular consciousness and time travel and c) eat gold.  I am charging him at the moment and I have to say he is very responsive - I might even attempt to conjure the Ruach of Paracelsus into him - after all, why not? My partner, with zero knowledge of alchemy, arranged the books around him without any involvement from me (if I had been involved he would have been the centre of a cluster of magic books) and I noticed that she placed a gold book with 1666 as the title on one side and a book called The Goldfinch on the other.

Rectify until you find the true, clear Green Lion, which you will recognise by its great weight. You will see that it is heavy and large. This is the Tincture, transparent gold. You will see marvellous signs of this Green Lion, such as could be bought by no treasures of the Roman Leo. Happy he who has learnt how to find it and use it for a tincture!

The Treasure of Treasures, Paracelsus the Great

Tuesday, May 9, 2017

Time Travel - Alice in Superposition

As I was discussing previously the Alice synchronicities I experienced the other day would have indicated a significant Alice event in the near future and this event, like all robust branching moments, would be significant enough to enable one to change track between the Fourteen Minotaurs.  So lo and behold my cinematic debut was this week in a scene that I had quite forgotten filming towards the end of the new movie Unlocked with Noomi Rapace, Orlando Bloom, John Malkovich and Michael Douglas.  I have been in a few tv shows and am the principle antagonist in a hotly anticipated video game but I had not made it to the big screen thus far. I have about 15 seconds screen time and my line is, appropriately, Alice this is for you.



If the future does not already exist and magic, as it is commonly understood, is genuine then I will have been using Alice symbols throughout my life in order to influence probability and induce Alice-related events like the above - to steer me onto a hand-crafted beneficent Alice track out of all the infinite possibilities that the future holds.  If the future does already exist then these Alice symbols are already ahead of me and behind me in my block time line and are temporally entangled forming a kind of Super Alice.  Cellular Consciousness, as it is, has practical applications whether looking at reality from a 3D matter based perspective or a 5D mind based perspective and although I understood how to run and return between these states I was aware that what I was running through was 4D. Through a series of experiments while living at Edward Kelley's Tower and through complementary esoteric work afterwards I have been groping my way towards an understanding of time travel and temporal entanglement leading to a comprehension of Super Cellular Consciousness and hopefully not insanity and death.

Often when we confront the notion of the future from a Presentist perspective (that only the present exists) we get the idea that there are infinite possible universes branching off every moment and although this feels liberating its actually fairly delusional and aggrandising.  Who can collapse a reality into a different branch with their decisions?  Humans?  Cats?  Lower life forms?  Microbes?  Are all the bacteria, fungus and parasites residing in human bodies all collapsing different reality tunnels with their decisions?  That seems ludicrous and, after reflection, so does my own capacity for making decisions in the first place.

Raziel suggests that only those universes where time travel is invented cohere and this reduces infinity, mostly hyper-dead, to an unspeakably huge but still finite number of surviving coherent realisable universes. Using a kind of anthropic principle you and your future(s) exist in one of these timelines and that instead of an infinite choice in the opportunity of any given moment you only really have two, accept or decline. Most of these decisions aggregrate into you following the same path so it doesn't matter if in a series of moments you say yes yes yes or no no no you are still heading towards the end of a linear predetermined experience.  Only at certain moments can you truly branch off into one of your alternate selves, these alternate selves also existing in timelines that culminate in time travel, the invention of time travel being defined as the death of language .

I started thinking about my genuine freedom in any given conversation and how likely I am to deviate from my lines and I realised that it was extremely unlikely.  Bearing in mind my established character and social conventions it is rare that I will stray too far from the path because often the consequences of doing so at an inopportune moment are very brutal - divorce, being sacked, getting arrested or killed, etc.  Lets say my boss wants me to do something and whether I am compliant or I resist I probably still have to do the thing in the end regardless.  Some introverts, over-represented in our community compared to the general population, really weigh everything they say because they think these individual yes and nos stockpile over time but the truth is that most people, including your boss, forget the details of the transactions within a few days and the only thing that lasts is whether the thing was done or not.  The fact that the introvert weighs everything is simply built into their established character and therefore their pre-existing script.



UPDATE

I just want to put a note in here, for myself more than anyone else, that the de-synchronous effects outlined in this post did happen yesterday - some days after the robust branching moment of Alice in Superposition.  The de-synchronous always has something of the time ghost to it and this time it was an ex-girlfriend and an ex-primary school teacher getting in touch with me.  

Tuesday, May 2, 2017

Time Travel - Alice and Other Creatures of the Labyrinth

'Twas brillig and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogroves,
And the mome raths outgrabe
Alice through the Looking Glass; Lewis Carroll
Life is a series of pathways between rooms.  You can deviate from the path for a while but very soon you'll have to find a room, be it a bivouac, or a mere cliffhanging.  If you don't you'll die of exposure.  On any path you may have a series of decisions to make but whatever you decide the path will still lead to the room.  Our decisions aggregate towards the same ending - reaching the room. Rooms can be empty or there can be a guardian being. The guardian beings of the room can be your friends, partners, colleagues, bosses, enemies and are arranged in a spectrum of types emerging from the ten steps necessary in order to analyse a single moment.  When a being of a certain type is in your room a certain response will be elicited.  A simple example is being in a room with someone who is very aggressive because of high levels of testosterone - they will typically stimulate your own aggression (be it towards each other or in mutual enjoyment, watch packs of these people) or your flight response. The person has acted as a chemical messenger on the confines of your own cell of consciousness, just the like the underlying hormone they represent and how you interact with the beings on the path and in the room determine the reality of your life.


Alice in Wonderland is very important to myself and my partner.  Not only did I form a close relationship with the text and movie interpretations growing up but during my early Qabalistic studies I was in an Alice themed Kabbalah study group where I was the Mad Hatter and then went on to play Lewis Carroll in a performance in Prague.  This play was an original work featuring Lewis confronted by the real Alice Liddell as a young girl and then as an elderly woman contrasting the reality with the fantasy conceptual Alice. The other night I went to see ''Aspects of Alice'' at a blacklight theatre and this particular show featured our heroine flying over a mystical Prague and was filtered through the lense of Milan Kundera - wistful, fatalistic carnival music with erotic twists - ''The Unbearable Lightness of Wonderland''.   Our tickets were free and provided by a friend of my partners who brought someone else with her who was a physiognomical copy of the actress who played Alice in the production where I played Carroll.   When I returned home from the theatre there was a message from this actress telling me she had watched Humanity: Good Ending and thought of me.

This event returned me to a line of thought that began to crystallize during the filming of The Aftermath - a director there had been a physiognomical copy of my first esoteric mentor and, coincidentally, I recieved a message from him in my trailer - we hadn't communicated in many years. The knowledge I had allowed me to work well with the director and I was rewarded with another day, another scene and a battlefield promotion from a nameless officer to a named character - Captain Harris.  The physiogomy of the Metabolism of Time is of immense predictive value in dealing with individuals on a day to day basis - the system providing insights into their various moods, etc and how they will interact with other people of different types.  The thinking behind this use is based in presentism, i.e. my individual interactions through every moment create possibilities for me in the future - my decisions matter and I can take advantage of opportunities.  However if the future already exists, as Raziel suggests and no matter what I think I choose to do I am trapped on a path until a robust branching moment comes along how does this knowledge remain useful?  What is the Eternalist version?  How are these physiognomical predictions useful to the would be time traveller, someone who wants to see their life experience in 4d rather than 3d?



Although Raziel has been clear about there being no grand free will, no infinity of parallel universes branching off every moment and how decisions on the path largely aggregate taking you to the same destination - a significant event at a robust branching moments (vertices, rooms) - there remains the freedom to switch timelines between the finite variant selves or Fourteen Minotaurs at these moments.  At these moments there is a decision that has a significant consequence - so it is only here where the tricks are useful. Synchronicities, like the above encounter with my director amd mentor, or the plural Alice, are like sonar pings as you approach a significant event. For example, our motto for the Gentlemen for Jupiter was ''When Kingdoms Come'' and then, after quite some work, I ended up playing a lead role in the upcoming video game Kingdom Come: Deliverance - a solid ping suggesting a robust branching moment.  We should also be aware that as we leave significant events these synchroncities will decrease in frequency.

Forward, backward, inward, outward
Come and join the chase!
Nothing could be drier
Than a jolly caucus-race

Alice in Wonderland, Lewis Carroll

What seems to being suggested by the above experiences are a) that guardian beings of the same type are temporally entangled with each other in your timeline(s) and b) that the type of guardian being reveals the underlying nature of the significant event.  To make this clearer lets look at the first example in this post - the director and the mentor were both of the Treefrog type, which is a thyroidal nature, in this case hyperthyroidal.  Features include short height, prominent slightly bulging eyes, rapid metabolism, they plunge into new environments to stimulate personal evolution, and have a strong interest in aesthetics - mainly visual arts, etc etc. Is there only one Treefrog that is in super position throughout my time line(s)?  Is there a way of gauging the frequency of the appearance of significant Treefrogs?  This Treefrog became a stimulus which my cell had to respond to and one set of reactions would have sent me down one path and another set down another - bearing in mind there are only two possible outcomes at a vertex, junction or room - yes or no/oops!  In saying yes to the Treefrog I went down a path which resulted in the extra day and in saying no or being awkward I would have been denied that.  Who knows what difference being a named character will make in my future?



Who the fuck is Alice?  Well Alice signifies many things for many people but ultimately she is on a quest for identity in a meaningless nonsensical world - Carroll could be considered the first Absurdist.  The Alices are generally a mix of adrenaline and testosterone types, which also governs the nature of their rooms, creating a huntress physiques who like to challenge boundaries (curiousity) with pre-egoic identities driven by urges and instincts.  Being at the Alice show with a clone of the actress who played Alice then recieving a message from that same actress clearly shows contact with the Alice in superposition.  If they are synch pings foreshadowing the significant event one can expect it with to take place with an Alice as the guardian and to be in some kind of Wonderland...

Do you live in the memory of a significant Alice seeing their face projected on to new friends, lovers, enemies who are like them in all but name?  Do you seek the near-clone of someone you knew, or was that Alice foreshadowing that other Alice to come?  Or are they all in super-position?

When logic and proportion have fallen sloppy dead
And the white knight is talking backwards
And the red queen's off with her head
Remember what the dormouse said
Feed your head, feed your head

White Rabbit, Jefferson Airplane


Thursday, April 27, 2017

Astral Projection - Failure and Analyses II


Many magicians seem to have a problem with describing magickal experiences, admitting they are wrong and discussing their failures. Magical experience is incredibly difficult to describe let alone analyse, but without description, analysis, evaluation and comparison its impossible to make headway or gain perspective.  Its the reason why so many so-called magicians come across as all bluster and vagueness; they are not cultivating shadowy mystique they just have no idea what is going on either and often get things wrong.  We learn from mistakes and if no one is discussing them learning is truncated.

I made a pledge for 2017 to attempt astral projection more regularly and make my explorations a little more systematic.  I have done less of this work than I wanted but have been making efforts and mistakes.  Like in my last post about this I want to address some of these failures and see what I can do to improve my experiments moving forward.  Springing off my previous post on failure, these failures all come under the general heading of the effect of astral weather and the celestial bodies themselves on the astral journey experience and on the final destination.



Mercury Retrograde - During one attempt last week, I did not get past the astral larvae, which are normally not a problem.  I was very aware of them, focused on them and rather than trying to push past, or dispel/disrupt I instead confronted them.  I am not sure why I did this but it was my choice.  I asked, quite calmly - What are you? What do you want from me?  Why are you trying to stop me getting on the astral plane?  The writhing mass of (painted) light worms/tentacles collected together into what could have been a face that kind of stopped and looked back at me - dumbfounded at a) having been asked b) because there was no answer or c) these responses are an automatic reflex (of the mind or spirits) to any astral attempts.  As I understand the astral larvae phenomena is a function of your own mind in the very lower astral, that prevents you from escaping the gravity well of your ego - part of a similar set of internal defences that stop you messing around with your breathing, sweating or peristalsis.  I was reminded of the scene in Hitchhiker's Guide to the Galaxy where Ford confronts the Vogon Guard with existential questions about his purpose before they get kicked out of the airlock anyway.  Confronting the larvae in this way I stopped my projection attempt and returned to my body for a few moments, before sleep paralysis kicked in.  At this point my partner saw that I was speaking in tongues/mesmerised/paralysed and woke me up.  About 5 minutes after this (approx 2.30am) somebody started repetitively buzzing my apartment from the street outside and my partner was quite frightened by this because I had already freaked her out.  The area where I live is really cool but kind of mad and answering the door at this time of night is not a good idea.  Whatever it was went away but then came back about 15 mins later and did the same thing.  Its difficult to get an angle to see but basically looking in a reflection across the street I saw that it was a black shadow that was pushing the door bell that then suddenly vanished.  I checked after and it was none of my friends. I talked to my partner about the kind of physical/earthly resistance/distractions/phenomena you can receive when trying to project out of the atmosphere - weather effects, kinetic activity in the room, children/animals suddenly screaming, etc.  The important note here is in terms of astral weather - it was Mercury retro and the disruption involved use of the buzzer/phone.  The previous evening the phone had been broken and making a solid buzzing sound all night that had disturbed my sleep and these two experiences seem connected by Mercury.  My question from this would be - is this standard disruption/resistance from spirit or mind, an independent retro effect, or a combination of the two?  I assume its a combination of the two and therefore could tentatively conclude that the type of disruption one can expect will be affected by astral weather.    This sounds right but it highlights the way an important failure can confirm suspicions and enhance praxis.



Destination - As I have discussed before this year I am trying to be more systematic in terms of my destination and want to focus on planets.  My prior attempt to go to Venus ended in failure as I approached it and got the fear.  In several attempts over the last month or so I have been torn between Jupiter and Sol.  I keep trying to get to Jupiter (again) and I keep getting pulled into Sol.  The light is extremely intense, possibly dangerous and it was not my intended destination so I break off the mission as I approach.  I am not quite sure about how to get around this hurdle.  I don't think its an effect of physical gravity on my astral form persay which would end up necessitating the use of some kind of astral slingshot to get to Jupiterand I also hesitate to say that I am being pulled there for a reason.  I think that it might be to do with a lack of conviction i.e. I don't want to go to Jupiter enough or can't focus my will clearly enough.  Alongside this as I get past the larval stage and the cool, trippy, tessellating stage to a point where I can actually see through ''gates'' I keep getting tempted to go and look at things and people ''on Earth'', i.e. explore Earth instead of space, become an inward facing earthbound satellite as opposed to a planetary probe.  I am pretty sure that this desire is another attempt by my ego to keep me down here.



Some conclusions then? Alongside these experiments I have also been cultivating my relationship and dialogue with Raziel.  The most vivid, life-changing astral experiences I have had have been with the assistance of this entity and I think Raziel has his own schedule of explorations set up and I should just let it guide/drive and relinquish control.  This does not come easily to me as a scientist but it seems that maybe that will have to be the case.  It is not that I don't trust the entity, its just that without some kind of system/location it will make the examination of my results more difficult and more daunting. After all during the last time I ended up in this random point in deep space,  the absolute middle of nowhere although there was something there not a place but ''the ship''.  But why was the ship there???  Was it going somewhere else and Raziel just intercepted it?  More questions!

As you increase the radius of your sphere of knowledge all you do is increase your surface contact area with the ocean of ignorance.

Tuesday, April 25, 2017

Books, Books, Books - and Book XIII



Books Books Books.  I am in the process of upgrading the library temple suite - Indonesian lanterns; Walnut bookcases; antique desk, barrel and chest.  Going to pick me up a Thoth statue too.  Its going to look gorgeous fam.  Having removed the IKEA bookcases I had, the entire floor is just covered in heaps of books - many of them ex library books.  I pick up the Texts of Taoism and randomly open up a bit of Chuang Tzu to take to the bathroom and what am I offered?


What the world thinks the most valuable exhibition of the Tâo is to be found in books. But books are only a collection of words. Words have what is valuable in them;-- what is valuable in words is the ideas they convey. But those ideas are a sequence of something else;-- and what that something else is cannot be conveyed by words. When the world, because of the value which it attaches to words, commits them to books, that for which it so values them may not deserve to be valued;-- because that which it values is not what is really valuable. Thus it is that what we look at and can see is (only) the outward form and colour, and what we listen to and can hear is (only) names and sounds. Alas! that men of the world should think that form and colour, name and sound, should be sufficient to give them the real nature of the Tâo. The form and colour, the name and sound, are certainly not sufficient to convey its real nature; and so it is that 'the wise do not speak and those who do speak are not wise.' How should the world know that real nature?

Chuang Tzu, Book XIII, Part 10

He's right you know.  I question the value of the books lying scattered around me.  It seems to me the theory here is Tao then Ideas then Words then Books (highly similar to the KBL and cell biology/genetics) but the Tao is beyond our comprehension so we cannot name the ultimate source of ideas. Is Tao consciousness?  I don't know, that seems to be going a bit far although ideas are noetic and the implication is they originate in Tao.  We can't define consciousness either.  Dennett thinks its an illusion but I think Chuang thinks Dennett is an illusion.  Tao is the ultimate indescribable nature of reality.  Thinking of only indirectly contacting this reality through my senses I realise its some kind of science day as well and all my liberal progressive friends are in a science veneration trance on social media.  I am reminded of Parmenides ''On Nature'' where he suggests science is at best informed opinion.  Hmmm.  He continues:

Duke Hwan, seated above in his hall, was (once) reading a book, and the wheelwright Phien was making a wheel below it. Laying aside his hammer and chisel, Phien went up the steps, and said, 'I venture to ask your Grace what words you are reading?' The duke said, 'The words of the sages.' 'Are those sages alive?' Phien continued. 'They are dead,' was the reply. 'Then,' said the other, 'what you, my Ruler, are reading are only the dregs and sediments of those old men.' The duke said, 'How should you, a wheelwright, have anything to say about the book which I am reading? If you can explain yourself, very well; if you cannot, you shall, die!' The wheelwright said, 'Your servant will look at the thing from the point of view of his own art. In making a wheel, if I proceed gently, that is pleasant enough, but the workmanship is not strong; if I proceed violently, that is toilsome and the joinings do not fit. If the movements of my hand are neither (too) gentle nor (too) violent, the idea in my mind is realised. But I cannot tell (how to do this) by word of mouth; there is a knack in it. I cannot teach the knack to my son, nor can my son learn it from me. Thus it is that I am in my seventieth year, and am (still) making wheels in my old age. But these ancients, and what it was not possible for them to convey, are dead and gone:-- so then what you, my Ruler, are reading is but their dregs and sediments!'

Chuang Tzu, Book XIII, Part 11


I like this Wheelwright - books are just bits of corpses and bibliophilia is, in essence, no different to necrophilia.  I look around my blasted temple and see nothing but a catacomb, the leaves of various texts like bits of rotting flesh.  I am decorating my new library temple with their mummified remains. It certainly puts the grim back in grimoires. Thanks Chuang for peeing on my parade.



SMUG AF

So it all comes down to ''the knack'' and the relative speed of the hand motions?  What is this knack, our wheelwright is talking about?  Well as I understand it Taoism is all about letting things take their natural course.  Knowledge at its heart is a natural understanding and must be applied.  Talent, a gift for understanding, which is at the heart of all knowledge is inherent, genetic, natural.  In venerating books and authors we're in danger of missing the wood for the trees, of losing our own knack - unless, paradoxically, that happens to be for writing.  An anti-intellectual corrective, Tao style. Although the book pile right now looks like it could easily be set ablaze, Chuang, I think I'll keep them intact, they look nice - and sediment eventually becomes stone.

Thursday, April 6, 2017

Time Travel - A.P.E.X. and the War of the Twins

So we were wondering what to watch the other night, trying to decide between It and Day of the Dead when suddenly, seemingly out of nowhere, I had a flashback to a film I had watched when I was younger and which had confused the hell out of me.  I could only remember the name A.P.E.X. and that it was vaguely about time travel paradoxes and killer robots.  I found it online and I suggested we watch just half an hour because I remember the plot being both confusing and bad - we eventually ended up watching the whole thing.  The reason I am posting this though is that after we had finished watching it my partner noticed that the events of the film take place on April 3rd and it was April 3rd. I was surprised at just how much is stored in the memory, how subtle the triggers can be, and how often our magickal work is about exercising this vast potential, and through memory to time itself.

A.P.E.X.

Does the movie A.P.E.X. itself matter?  Was my angel attempting to draw my attention to something? Well the themes of the film do fall within the realm of what Raziel has been exploring with me.  A.P.E.X. stands for Advanced Prototype Exploration units, robots that were designed to go through portals for the purpose of exploring a new physics of time travel.  If things went wrong then a sterilization unit would be sent to contain any paradoxical timelines by annhilating the people involved in causing them.  An experiment goes wrong and an alternate timeline is birthed on April 3rd 1973 which robots are then sent to sterilize.  This degenerates into these robots being continuously sent from the original timeline which now exists only as that moment and the Earth descending into a Terminator like war for survival with humanity against these machines.  Our protagonist falling through the portal from the original timeline then has to go to the timelab in the paradoxical timeline and try and connect the two 2073s together.  Suffice to say this film does not produce a brilliant treatment of the paradoxes of time travel.

However, Raziel's apocalyptic vision of the end of the world via time traveller swarm does have resonance with the movie as does the appearance of the time travellers themselves and the time of their arrival. I have discussed several times how the insectoid nature of the appearance of certain beings may in fact be time travelling suits of some form.  In my experience, and from dialogue with Raziel, although they have carapaces like the A.P.E.X. units they also have wings, complex eyes and are entirely iridescent.  In the movie, the robots, appearing one after another, systematically lay waste to the Earth with explosive weaponry, but in Raziel's description, the end of humanity comes about due to the wholesale madness induced by suddenly being engulfed in the host of trillions of time travellers - this event coinciding with the death of language.  As my good friend Paul has pointed out this also resonates with the first few chapters of the Book of Enoch.

BROTHERS MAJERE

I have also been rereading the War of the Twins, the 2nd triology from Weis and Hickman, another work which features time travel as the dominant theme.  In this the magic spell that is used to send the twins back in time can only be used for research purposes and no changes can be made in the timeline unless a dwarf, gnome or ''kender'' is sent.  Since these creatures are considered ''mistakes'' of the Gods, they can cause paradoxes.  Raziel would agree with the first point and has detailed as much but would disagree with the second - as the account of the Angel of Secrets is paradox free.

This wasn't in the histories.  Perhaps this means that time has already been altered?  No.  The pitiful sacrifice of these poor creatures was left out not because it did not happen.  It was left out simply because... no one cared.

Raistlin Majere, The War of the Twins, Weis and Hickman

Reflecting on the role of memory one could see how these seed ideas could be used, by Raziel or myself, to bear fruit in this later part of my life.  I found A.P.E.X. confusing when I watched it many many years ago because I had no vocabulary at that point for exploring these issues, just like The Unbearable Lightness of Being by Milan Kundera had such a dramatic impact on me because I had never asked the questions asked in that book - at least not in this life.

One of the reasons why the Tree of Life, explored and rectified, is such an effective tool for the magus is that it allows one not only to tap into one's own reserves of memory in this life and before, but that it provides lightning reflexes when it comes to referencing that memory.  A deeply religious Kabbalistic friend of mine once objected to this notion of the Tree of Life as ''tech'' for psychic boosting and I took his point to heart - the Tree cannot be untangled from religious aspects and in attempting that you are robbing yourself of an incredibly rich part of the experience.  However, this aside, work with Kabbalah and the Tree of Life does improve the working of the mind and leads directly to the development of psychic or prophetic powers.  Although our minds seemingly remember everything that ever happened, these memories are mercifully filtered so we aren't incapacitated by grief, by regret and by nostalgia.  When we work with the memory and increase our sensitivity to stimuli we are also working with the selectivity of it, the judgement to know if you really need that memory right now, that it has utility, that it won't bog you down.  We work with the filter as much as the fluid and its filtrate.*  

I like to think, like many of us do, of the strong influences on my mind and its workings - the corpus of the WMT, Hermetica, Kabbalah, literature, the Great Works, etc - as I favour a strong hypothesis of myself but I often forget or rather do not select ''lesser'' memories like A.P.E.X. or the War of the Twins.  Just because something is eminently forgettable doesn't mean we should forget it. I maintained and still maintain a very militant, unsentimental attitude towards my memory and in 2001, I  destroyed memories through the use of a conjuration of Chronos. This seems like a savage, brutal act but at that point I believed that certain memories I had were encumbering me. I chose an appropriate astrological time and took symbols of the memories (photos, etc) and then ritually destroyed them under the stars - the direct effects of the removal of these blockages were rediscovering a lost soul and the channelling of the text the Metabolism of Time.  But in this act, what difference was there between myself and an APEX robot destroying an aberrant timeline?

*Luna - fluid, Mercury and Venus - filters of remembering and forgetting, Sol - filtrate.

Wednesday, March 29, 2017

Time Travel - Spirits and the WMT




The first questions that Dr Faustus asked Mephistophilis were about his true nature and that of the other damned spirits.  The conclusion of the scene comes when he asks - if spirits are damned/trapped in hell then how can Mephistophilis even be conjured to Earth? - whereupon he is told, Why Faustus, this is hell, nor am I out of it.

Faustus, repent, and God will pity thee.

Good Angel, Dr Faustus, Christopher Marlowe

Its very tricky for a relative outsider such as myself to really gauge whether questions like this have been satisfactorily answered by occult practitioners, or whether anyone has ever really dared to ask them - where do you ''live'', where do you ''come from'', how is it possible that you are here, etc.  The concerns of most so-called sorcerers seem to be about the ''physical'' result of the conjuring i.e. what they are going to get - the cute broad, two homes, becoming Head of Production, 15 million dollars - whatever the ''material'' need/desire was that initiated the conjuring in the first place as opposed to deeper knowledge of the universe and its spiritual workings. When practitioners are pressed for answers, and don't try to evade, either the answers become very woolly or needlessly complicated. Even our more experienced, well spoken practitioners seem to descend into references to different types of plane(s) with lists of cool sounding names (etheric plane, spiritual plane, astral plane, informational plane, noetic plane, logoic plane, ad nauseam) and very little understanding.

Presentism suggests that if the spirit is identified as once living then it is either trapped in the present somehow and carried forward with us from this moment to the next, or in the case of spirits considered non-living (hypercosmic gods, various demons) somehow contacted in/from some other realm/dimension (beyond the hazy veil of whatever plane - see above). Eternalism though provides a lot of explanatory force - entities, including us, are in fact communicating across or through time. This model seems to work really well and I have been applying it to entities encountered through practical work - classifying whether they are from the past or the future. For example with Eternalism a classic repeating ''ghost'' is not trapped in the present, those events occured in the past which still exists/is happening and became entangled with various different points in the timeline.  You can stretch this to say that all spirits are ''humans'' at different points in the timeline.

The problems I encounter with this line of thinking are the spirits (and ''aliens'') which are described as monstrous/non-humanoid and so-called egregores although they are not unsolvable.  As I have mentioned before the Mothman and Mantis like entities I have encountered could easily have been wearing some kind of suit, and this suit may be a necessary feature of whatever means they are using to travel/communicate through space/time - in that sense they could be post-human ''spirits'' from the future.  Similarly reptilian creatures or elementals could be pre-human entities from the past - our common ancestry in DNA weaving us together through time. Egregores would be a projection of the future, as well - so if you are involved with a successful group project that becomes more successful and you communicate with the egregore you are in fact communicating with your own selves in the future and/or viceversa.  A form of mass entanglement if you like.  The same could work with the notion of Gods as real people vs egregore/thought form - in one type of work you are entangling with the actual person the God was originally derived from in another type of work you are mass entangling with the cult itself.  When we are trying to make judgements about the relative truth of these statements and whether they are in line with observations we also have to factor in anything we have imagined on top of the real image/sense effects and the actual lensing/distorting effect of time-travel itself.



I have explored this practically when living at Edward Kelley's Tower.  The Time Phone was going to be used to attempt to communicate with the past and change what had happened by providing Edward Kelley with information that would have led him to be able to avoid some of the incidents that led to his death.  This experiment was never tried because of the untimely death of Vincent Bridges himself.  I personally tried numerous magickal experiments with the phone before that however.  Theoretically the ''phone'' can be used to build a link/connection to the future or the past and then serves as a portal (only for information) between these two positions.  I first discovered this idea when I realised that many of the so-called spooks and spectres of the tower felt like they were alive and were in fact co-locating with us as opposed to something in the past that had been carried forward, I also became increasingly aware of Kelley's (and company) attempts to communicate with the future from his position in the past through observation of these echoes and overlaps.

I am not an Enochian practitioner but one of the experiments involved sending the Calls* back to Kelley, from the future.  After establishing the link by opening the phone, I got the strange sensation that I had to disrobe.  As I lay there naked next to the tower, I was keeping my mind very still and my body perfectly relaxed and as the music grew I observed a tiny white square open in space/time/my mind(?), which opened out into a softly glowing white rectangle about the size of an envelope - this stayed there for about 5 mins as I watched it.  This was the only discernable effect other than a weird blend of tranquility and disquiet.  About three hours later in the evening, there were a series of extreme electrical effects with the power in the tower going crazy, some objects staying on during these oscillations, others cutting off, things powering down and then suddenly roaring back to life with a weird zing sound alongside other lesser but noticeable poltergeist activity, small objects moving around, other strange noises - I was pretty terrified.  There were other experiments with exchanging information in this way but they will be explored in subsequent posts.



It seems to me then that there is no dichotomy between spirit and man and that we can dispense with other ''spiritual'' realms entirely.  We are all spirits or, if you want to flirt with Mephistophilis' darker perception, that we are all damned spirits in hell right now. From the perspective of an entity in the future you would seem, perhaps, to be a ''ghost''; similarly, an entity in the past could be ''conjuring'' you from the future.  How would you know you have been conjured? Where the person in the past may feel the normal effects of conjuring a spirit (they would be some communication, manifestation, etc) from your perspective you may just enter a trance or it could all take place during a dream.  Who is conjuring who? Following this line I would expect in fact that two entangled ''magicians'' where one thinks the other one is a ''spirit'' are likely to both be engaged in some kind of magickal practice at the time, especially in the case of the more legendary experiences.  It is entirely possible that my experiences in the Tower occurred because I was conjured - rather than my own volition sending the Calls back to Kelley, Edward Kelley conjured me.

Thou art a spirit.  God cannot pity thee.

Evil Angel, Dr Faustus, Christopher Marlowe

*These are samples but an entire set of calls was recorded by Vincent and his group and used during that experiment.

Wednesday, March 22, 2017

The WMT - What I believe

Its not a bizarre idea..?  Tell it to me... Come on.  You can't tell it to me in one sentence they can't put it in TV Guide.  What is this movie you are going to make?  Come on, ''A Boy Joins a Cattle Drive and Learns to Be a Man''..?  ''A Couple Finds a Million Dollars Buried in their Yard...''?  Come on, come on... What is this movie?  Tell me the story.

Charles Fox, Speed-the-Plow, David Mamet

So I was watching a documentary on Scientology the other night and looking down on the egomania, gullibility and general collective insanity that must be necessary to connect with this cult.  Then I had a moment of clarity turned to my partner and confessed that for all my rational over-tones my beliefs are themselves deeply weird and outlandish and I was not one to judge:

 - There is no matter and we exist inside hyper-spherical cells of consciousness that overlap forming a tissue of consensual reality through collective observation

- We have never moved in our entire lives, have always faced forwards, have never perceived anything but our own perception, and have always (felt like we) remained in the effective centre of our cells

- Beyond the edges of the cell membranes of our consciousness lies the bloodstream of time, accessible by lucid dreaming and astral projection

- That this cellular nature extends to the world we seemingly inhabit

- The nature of our being, stripped to the core, is the intertwining of time and anti-time, with anti-time being ''consciousness'' and time being ''matter'' as we know it

- Our imperfect anti-time/consciousness is used to interpret the present, remember the past and predict the future, and work on the Philosopher's Stone thus constitutes refining/perfecting anti-time with the end result of producing universal remedies, elixirs of youth and ultimately time travel

- Our individual characters/personalities/physiologies derive from the ten principles of time necessary in order to digest a single moment and that these characters persist at all scales of existence from simple cells to animals to higher beings

- That you can name/identify a character by looking at their face and body - physiological features being time signatures

- All magickal phenomena including manifestation of spirits result from temporal entanglement - with elementals being a product of entangling with the deep past and angels being a product of entangling with the deep future

- That the future(s) pre-exists and our belief in general free will is an illusion generated as a side effect of anti-time, the free will that we do have rests in being able to select from a small variety of surviving alternate futures at certain key moments with most of the time-stream being effectively dead/non-realisable

- That the world will end by time traveller swarm

Etc.

As Occulture becomes more and more absorbed by the mainstream and we see various forms of peer pressure, vapidity, chat, bullying and conformism explode in the community it might be worth reminding yourself what you actually believe and doing a quick check for logical contradictions as you go about policing normality. And as our community is increasingly overran by ''spirit-workers'' I can't help but liken it to a Biological Sciences faculty staffed only by Zoologists - cute/fierce animals living in ecosystems with bizarre and interesting feeding habits are fascinating for sure, but do you guys really know what is going on?  If so I have seen precious little evidence of that.  Maybe its time to alter our recruitment policy and bring in a few more who are exploring what's going on on a molecular level, figuratively speaking.


Tuesday, March 21, 2017

The WMT - Literature, Theatre, Mathematics, Kabbalah

All these little people, out there, that we see.  Y'understand? Fellow asks ''what are they there for?'' Well, Charl, We Don't Know.  But we think, you give the thing to your boy, he gives it to my boy, these people get to eat , they don't have to go beg and get in everybody's face at the airport the whole time.

Bobby Gould, Speed-the-Plow, David Mamet 

Leaders, mentors, teachers and authors have all contributed to the decline in the quality of Occulture by spurning the Blogosphere in favour of other social media in their various attempts to privatise parts of the community.  I do not think that these attempts are inherently bad nor am I condemning attempts to cash in on occult services but the way in which they have manifested have had negative as well as positive implications. Most of those who attempted this, failed, but they did their damage anyway and in their cases there was nothing lasting gained.  The Blogosphere is the single best gift Google could give us, a platform which allows for a diverse spread of different approaches - journalling, essays, theses.  It provides a level playing field, in that you don't have to already have an existing ''brand'', but requires a certain level of sophistication to use and doesn't fall so readily to the lazy demon of chat which has claimed so many of my fellow bloggers. I arrived fairly late to the Blogosphere and was amazed at its richness/diversity and am now unsurprised by the nostalgia for it as Occultniks face another day of interacting in Facebook's generic and demeaning Skinner boxes. People were moving in the opposite direction though - to other platforms more ''accessible'' than Blogging - as on the one hand Facebook allowed authors/teachers who had a product to sell to massively increase their traffic (although it inevitably deflated their allure/mystique and drew traffic from the blogs) and on the other it gave an equal voice to everyone, since it requires no skill or thought to use. I can completely understand those with a financial interest as I use Facebook myself (as an  effective marketing tool in a non-occult area) but I have to ask  - at what cost?  I restrain myself as much as possible from chat, or futile political statements, but I watch with horror at the degrading effect facebook conditioning has had on the quality of my peers and their thinking.  If Blogging is the gym, then Facebook, my friends, is McDonalds.

The ''Third method is the Dramatic,'' perhaps the most attractive of all; certainly it is so to the artist's temperament, for it appeals to his imagination through his aesthetic sense... In the third, identity is attained by sympathy.  It is very difficult for the ordinary man to lose himself completely in the subject of a play or of a novel; but for those who can do so, this method is unquestionably the best.

Magick in Theory and Practice, Aleister Crowley

When Gordon talks about literature as a possible high ground to retreat from the encroaching homogenate I think he is on to something but I would like to add a few other points.   I have been involved with the Theatre scene in Prague for the last ten years and have established myself as an actor and director.  Theatre is an interesting alternative/complement to literature as it allows like minded people to meet in public and the conversations that are stimulated by a particularly interesting play are really rewarding.  Its like literature/philosophy sports for the extroverted active learner. Back in the financial crisis Gerald Celente, in one of his ''recession proof'' economics rants, discussed theatre as one thing that would do really well - as people would be insecure in their atomised state and actually crave the real social network that theatre brings along with the entertainment.  It turned out to be true. This said you have to shop around and I think Theatre of the Absurd has really come of age.  If you can't access the likes of Pinter, Albee, Ionesco, Havel, Stoppard etc on stage then you can always read them (and sometimes watch the National Theatre in the cinema).  I accept that a lot of theatre is a bit shit, but then so are most tv shows, bands, video games, films, etc etc etc.

If you really want dry land then go where virtually no one wants to go - Pure Mathematics.  Various philosophers have made attempts to suggest that maths is a form of language (and therefore proofs could be considered a kind of literature) but I would argue that language is really a form of maths. Think about all the words that describe position in space and time, or sequential order or size, etc - if you include physics then even such qualities as colour/sound can be considered numbers. Other philosophers criticise maths in the same way they criticise science -  as an ideological construct of capitalism which attempts to quantify and qualify everything on the planet and ends up robbing the world of meaning through number.  Maybe this is why there is no love lost for our dynamic duo in this ''animist'', ''shamanic'' contemporary Occulture.

For me the elephant in the room in these kind of discussions always remains Kabbalah.  Such an amazing melting pot of mathematics, science, literature and mysticism that has been left relatively unexplored.  To be fair I would rather the Grimoire hipsters didn't go there but I am still surprised by those ''western'' magi who don't know anything about Kabbalah.  I appreciate there are resources you can access without Kabbalah but, to my mind, those going into areas which are inherently heavily Kabbalistic while lacking basic understanding score very high on the Sphinx test on daring and dangerously low on knowing.  Kabbalah, for me, remains one of the great barriers in Occulture as without a solid foundation in science, linguistics, semiology, history, philosophy, mathematics its not easy to do much with it.  After that the hours of analysis, comparison/contrasting, memorisation and practical work is enough to put off most of the twats. The air is thin up there and thankfully so is the population.   Back in the glory days of Dee, Kelley and Shakespeare - Theatre/Literature, Mathematics and Kabbalah/Alchemy rubbed shoulders freely and they continue to make fine bedfellows.




Tuesday, March 14, 2017

The WMT - Newton vs Dee, Jupiter vs Saturn

The history of magic is like a Greek tragedy, a parade of incredible minds who paid a heavy price for trying to crash Olympus.  John Dee is a good example. Paracelsus is another.  More recently, we have Crowley and Parsons.  All of these guys were brilliant polymaths and under different circumstances probably would be sitting in the history books next to Newtons, Galileos and Einsteins.

Christopher Knowles, the Secret Sun



Dee saw further than Newton and he paid the price.  Dee was one of the giants, no titans, upon whose shoulders Newton stood, but the Queen's conjurer still maintained a better view.  The people of Saturn are different from the people of Jupiter.  They have sacrificed personal prosperity and the favourable gaze of history to risk staring deeper into the Abyss.  Dee 'read every book in the world' and so was forced to channel one from the future, Liber Logaeth, in order to satisfy his biblio-mania.  They may not remember him that well in the 21st century but Dee is a household name in the 31st.

There's a danger in judging people who were absolutely blown out by magic to have failed in some way.  People dismiss Crowley sometimes saying words to the effect of ''well he died a penniless heroin addict so he can't have been much of a magician.''  Crowley did not haggle for the egg, the price was his sanity, health and personal wealth and he paid it in full.  For a moment the vortex abated, he gazed clearly and knew.  If I am not willing to be stripped to nothing, a skeleton in a cell, then can I ever see what they saw?

Unlike Dee and Crowley, I consider myself, largely, of Jupiterian spirit.  I am committed to prosperity for my community, service to others, easing the labour of my friends, enriching their lives and, most importantly, having fun.  I spend a great deal of my time every week creating comedy with a group of actors and making people laugh.  I have responsibilities to my tribe and my loved ones that I cannot freely abandon to chase Chronos across the cosmos - however much I feel I might want to.  In my mind, Einstein and Newton, like a great many gentlemen scientists, were Jupiterians too - harnessing the forces of the universe, bending them to the service of mankind and dying as men of honour forever enshrined in history.  The Kabbalistic Tzaddikim, the Righteous Ones, could be translated as Jupiterians.

Do you understand anything about electricity Richard?  Well neither do I, all I do is establish a theory about it based on a natural observation.  I write down this theory in the mathematical idiom and obtain several formulae.  Then the engineers come along.  They don't care about anything except the formulae.  They treat electricity like a pimp treats a whore.  They simply exploit it.  They build machines - and a machine can only be used when it becomes independent of the knowledge that lead to its invention  So any fool nowadays can switch on a light or touch off an atomic bomb.  And that's what you want to arrest me for Richard, and its not fair.

Newton, the Physicists, Freidrich Durrenmatt

On this blog, I exercise my secret passion for the Saturnian.  The vast majority of material here is devoted to dealing with life, death, consciousness and time - all Saturnian themes and not those I can freely discuss with the people around me.   The eye will only see what the mind can apprehend and I have learned not to drag people into the void who are not willing to let go of the Earth.  I have a great deal of respect for those who do push out on the path of Divine Melancholia in order to more closely apprehend the truth.  I know that I lack some bravery in this respect and during 2013-2014 the Saturnian dangers of magic were made very real to me - death, madness and heresy.  I fled and lived to try for the mountaintops another day.  To dare is a power of the Sphinx, and without daring, without risk, without challenge, reward, whatever it is, is surely meaningless.  I am reminded of Pan's Labyrinth - here on Earth the lives of Dee et al seem incredibly tragic, on the Astral though, the place they truly called home, their deaths were but the conclusion of a wonderful romance.





Thursday, March 9, 2017

Legendary Magick? Curb Your Enthusiasm!


I have noticed a disturbing trend amongst my peers over the last few months - a ''limit your expectations'' screed that is being applied to both magick and technology.  Those on the technological side are telling people to not get excited about the possibilities of virtual reality, etc and that science is entering a period where there will be no genuine innovation and on the magickal side they are telling people that magick is generally a very subtle influence on probability so please don't get into this expecting too many fireworks.

Going back in the day a bit here, there was an argument between various magicians about the manifestation of spirits and what to and what not to expect when it came to them materialising in the room with you.  I was, and still am, on the side of Fr. Assan Chassen who believes that if you don't see them (or sense them in some way) you are not doing it right.  I am not disputing that you can experience results from the work without observing the spirit its simply that you are only experiencing a portion of what is out there.

The truth is that if you are not getting extremely interesting and perhaps ''legendary'' experiences you are probably doing it wrong.  You have ''haggled for the egg'' and therefore cheapened your magic; you have made various compromises in the acquisition of the specific ingredients - which are important moreso as a test of your wits and determination than any intrinsic material quality. You will have cut corners when it comes to ritual purity, astrological timing, repetition of your spell, etc and the experience and results have become weaker.  ''Enflame thy will'' means just that and when you are immolated by this will, this intense blinding focus, this devotion, then your results will not be those of the half-assed casual magus.

Believe me, I understand the need for the screed.  I understand that many delusional people wander into the world of magick and need to learn to discern between reality and their imagination. However, imagination is as vital a tool in the magus as the will and the way in which we curb the enthusiasm should not be deleterious to it.  Wonderful things are possible.  Aspire to them!  Such visions, such splendour, such wisdom.  You will learn to remember the deep past, project into the future, into other worlds, into other souls.  Spirits will bring you knowledge you never had, you will learn to think outside of your mind.  Your life will be alchemically transformed.  Fate will twist in upon itself and carry you to secret places within it.  The skies will open and thunder will crack in ecstasy but only if you are elite. If you are not there, then to get to there you will need a montage.